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silent london search primary menu skip to content about pandora’s book reviews pordenone british silent film festival at the talkies silents by numbers podcasts more by me contact listings search for: blog , screening all aboard the silent railway day at the kennington bioscope at the talkies , blog when italian cinema meets its celtic shadow: castle of blood (1964) blog walk cheerfully (1930): yasujiro ozu’s toe-tapping tough guys blog the american venus (1926): louise brooks discovered in technicolor at the talkies , blog , review wonderstruck review: a storm of sorrow, nostalgia and silence blog , festival bologna tips: a beginner’s guide to il cinema ritrovato blog pandora’s box: poster, trailer and news may 4, 2018 ph 4 comments yes, i’m talking about the pandora’s box rerelease this summer again – but i’ll be brief. i have three things to share with you. first, here is the very chic poster for the rerelease. the bfi marketing team is clearly adopting a brooks-first strategy, and who can blame them? second, here is the trailer! third, which you may have guessed by now – contrary to previous reports , this theatrical release will actually be a 2k digital print of the newest restoration of the film, compl box here eted in 2009 by martin koerber and the deutsche kinemathek. as koerber said to me, in this version “you can see every flutter of louise brooks’s eyelashes”. how can you resist? pandora’s box is released on 1 june 2018, screening at bfi southbank and cinemas nationwide. details will be available here. don’t miss louise brooks in technicolor. you can buy my bfi film classic on pandora’s box here . silent london will always be free to all readers. if you enjoy checking in with the site, including reports from silent film festivals, features and reviews, please consider shouting me a coffee on my ko-fi page . advertisements bfi gw pabst louise brooks pandora's box silent film blog , dvd , review brighton: symphony of a city/symphonic visions review: fascinating faces past and present march 27, 2018 ph leave a comment are we in the midst of a city symphony revival? as well as recent essayistic examples from terence davies and mark cousins we have had last year’s london symphony , and in 2016, brighton festival commissioned another, which has been screened a handful of times around the country and is now out on dvd, and about to screen again in london and brighton soon. i’ve been keen to set my eyes on brighton: symphony of a city for a while, especially once i started hearing such good things about it. the dvd it is available on is called symphonic visions, and it is a showcase for the work of composer ed hughes. alongside brighton: symphony of a city , directed by lizzie thynne, which is a whisker over 47 minutes long, there are four silent shorts featuring new scores by hughes and sky giant (1942), a british movietone film from the imperial war museum archive about the arvo lancaster bomber. continue reading brighton: symphony of a city/symphonic visions review: fascinating faces past and present → brighton brighton festival brighton: symphony of a city city symphony dvd ed hughes lizzie thynne silent film blog , pandora's book pandora’s box opens in june march 26, 2018 ph 3 comments update: this release will actually be the most recent restoration of the film. hurrah! read more here . welcome to your latest lulu alert, courtesy of a website in danger of needing to rename itself “pabst london”. i assure you that i am working on some non pabst-related content, which will be with you soon. anyway, the big news is … that the bfi is giving pandora’s box a theatrical re-release in june this year . the version that will be shown is a 2k dcp of the 1997 munich film museum restoration, not the more recent one, which is slightly disappointing, but that said, i saw this version on a big screen recently and it really is grand. the print really does well by gunther krampf’s complex patterns of light and shade in his cinematography, and there is enough detail to highlight all the nuances and symbols lurking in the background. louise brooks sparkles as she ought to, of course. continue reading pandora’s box opens in june → bfi bfi southbank gw pabst pandora's box silent film blog , review the treasure (der schatz, 1923): gw pabst’s compelling debut excavates the root of all evil march 26, 2018 ph 3 comments this review is an extended version of the programme notes i wrote for a screening of the treasure (der schatz, 1923) at the 2018 hippodrome silent film festival . – contains spoilers – austrian director georg wilhelm pabst made great films in the early 20th century. however, by the time that he died in 1967, his reputation was all but demolished – his decision to work in the german film industry during the second world war having overshadowed his earlier achievements. underrated for decades, pabst’s work is ripe for a reappraisal and his sophisticated and progressive silent films in particular deserve to be more widely seen. his first film, der schatz ( the treasure , 1923), is a gothic fable in the german expressionist mode. as such, it initially seems to be out of step with pabst’s better-known silents, including the gritty drama the joyless street (1925), or the iconic pandora’s box (1929), starring louise brooks, which belong to a different movement altogether: the harsh realism of neue sachlichkeit , or new objectivity. in this early work there are nevertheless glimmers of pabst’s later style, his political values and his psychological insights as well as his sympathy for his female characters and their right to assert their independence. the treasure (der schatz, 1923) pabst was born to austrian parents in what is now part of the czech republic in 1885, and moved to vienna when he was a child. he studied engineering but by the time he was 20, he realised that the theatre was his passion and he enrolled in drama school. he worked as an actor across europe and in new york, where the poverty he witnessed, and his contact with the trade union movement, forged his socialist beliefs. deciding to concentrate on directing, he returned to europe in 1914 to recruit actors, but on landing in france he was arrested as an enemy alien and taken to a prisoner-of-war camp for the next four years. after the war he directed many plays, especially expressionist dramas, before, in 1920, going to work with carl froelich in the german film industry. in 1922, aged 37, pabst directed der schatz, his first film. der schatz had been adapted by pabst and his co-writer willy henning from a short story by nobel-prize-nominated author rudolph hans bartsch, published in collection called bittersweet love stories in 1910. a bell-founder called balthasar ( golem star albert steinrück), his wife (the brilliant ilka grüning, with salt-and-pepper streak and a bell-shaped dirndl skirt) and daughter beate (lucie mannheim, who later made several films in britain during the war) and an apprentice called svetelenz (expressionist film and stage star werner krauss) live in a strange house in a sinister landscape. continue reading the treasure (der schatz, 1923): gw pabst’s compelling debut excavates the root of all evil → expressionism german cinema gw pabst ilka gruning silent film werner krauss blog , festival , review hippfest 2018: i left my heart in bo’ness march 25, 2018 ph 2 comments there is more than one way to build a silent film festival, but perhaps some events might like to acknowledge twins – fellow fests that take the same approach to curating and commissioning archive cinema screenings. i think i have found a kindred spirit for the hippodrome silent film festival . i wonder if they would agree? saturday night at hippfest was a bit of a departure – a horror double-bill. is this the start of a new tradition? if so, it has begun well. we finished the night with benjamin christensen’s loopy house-of-horrors caper seven footprints to satan (1929), gorgeously accompanied by a

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